From Porter To Pop Icon: The Human League's Phil Oakey & More
Could the trajectory of synth-pop have been fundamentally altered without the unlikely genesis of The Human League? Their story, a blend of futuristic soundscapes and a frontman plucked from the mundane, reshaped the musical landscape of the 1980s, influencing countless artists and solidifying their place as true innovators.
In the late 1970s, in the industrial heartland of Sheffield, England, a musical experiment was brewing. Martyn Ware and Ian Craig Marsh, two computer operators with a fascination for synthesizers, formed a duo known as The Future. They envisioned a new sound, a blend of electronic textures and pop sensibilities, but they lacked the crucial element: a charismatic frontman. Fate intervened, and their search led them to Philip Oakey, a hospital porter known for his distinctive style on the Sheffield social scene. He was, in his own words, someone with "zero ambition to be in a pop group."
Ware, after deciding they needed a frontman to boost the commercial appeal of their synth experiments, made the unlikely choice of inviting his old school friend, Oakey, to join the band. Oakey, then working as a hospital porter, accepted the invitation, despite having no prior experience in music. This decision, made via a note left on Oakey's door, would forever alter the course of pop music history.
Initially, Oakey was not part of the original band. The Human League was formed in 1977 and originally included Martyn Ware, Ian Craig Marsh, and Philip Oakey. Shortly after, they decided to call themselves The Human League. Adding paramount members Joanne Catherall and Susan Ann Sulley to founder Philip Oakey, the Human League has moved way beyond that incarnation.
| Category | Details |
|---|---|
| Full Name | Philip Oakey |
| Born | October 2, 1955 |
| Origin | Sheffield, England |
| Occupation | Singer, Songwriter |
| Known For | Lead singer of The Human League; Solo artist |
| Musical Style | Synth-pop, New Wave |
| Associated Acts | The Human League, Giorgio Moroder, Jimmy Jam and Terry Lewis |
| Key Songs | "Don't You Want Me," "Together in Electric Dreams" |
| Active Years | 1977Present |
| Website | The Human League Official Website |
The Human League's debut single, "Boiled," emerged in 1978, a glimpse into their experimental sound. However, it would take four years for the single to chart in the UK. It was in 1981 that The Human League, with Oakey at the helm, achieved global recognition. "Don't You Want Me," penned by Oakey, became a transatlantic number-one hit, cementing their place in music history. Its iconic opening line, lifted from a magazine, showcased Oakey's ability to craft lyrics that resonated with a wider audience.
The band's creative process was often fraught with tension. Personal and creative differences led to the departure of Martyn Ware and Ian Craig Marsh at the end of 1980. They went on to form Heaven 17, leaving Oakey in sole control of The Human League. This evolution culminated in the release of "Dare" in 1981, an album that showcased a more commercial sound, solidifying their mainstream success.
Oakey's ability to adapt and reinvent himself, as well as the bands sound, is a testament to his artistry. His collaboration with Giorgio Moroder in 1984, "Together in Electric Dreams," although originally written for the film "Electric Dreams," transcended its cinematic origins. The song has become an honorary Human League anthem, an uplifting encore at their concerts, further illustrating Oakey's reinvention prowess. This track's popularity led to its inclusion in The Human League's greatest hits compilations.
The Human League's influence extended beyond their music. In 1980, Joanne Catherall and Susan Ann Sulley, two schoolgirls discovered in a Sheffield nightclub, joined the band, adding a distinct visual and vocal element to their sound, an aspect of their performance that has become a unique signature. Their inclusion, alongside Oakey, proved integral to the band's iconic status.
Over the years, The Human Leagues lineup has seen changes. Adrian Wright, Wright, Burden and Callis all left the band by the end of the 1980s. The band has continued to tour, captivating audiences with their nostalgic sound. Despite the ups and downs, The Human League remains a vital force in the music industry, proving that even after 40 years, their music continues to resonate.
The Human Leagues success was not without its challenges. They experienced diminishing returns in America, particularly after their crash album. However, their innovative approach to pop music earned them a unique position. They also found a fresh perspective after bringing in Jimmy Jam and Terry Lewis, giving them a new perspective.
In February, the Human League and Phil Oakey performed in Auckland. The band's extensive back catalogue was showcased, including the iconic album, 'Dare'. "Don't You Want Me" was not the only hit; the band's ability to create storytelling lyrics contributed to their appeal. Despite the various changes, The Human League, anchored by Oakey, has retained its core essence and continues to delight fans worldwide.
With a career spanning decades, Philip Oakey has explored a solo music career. He has collaborated with several other artists and producers. The bands influence can be seen in several other forms of art. You could wrap it up in some Django Django wrapping paper, and wed be none the wiser.
In 1985, Oakey collaborated with Giorgio Moroder on the studio album "Philip Oakey & Giorgio Moroder." It peaked at number 52 on the UK albums chart. This collaborative effort highlights Oakey's willingness to explore different musical avenues and his ability to work with other influential artists.
Phil Oakey, the only constant member of The Human League, has played a pivotal role in the band's evolution, from the experimental electronic soundscapes to the polished synth-pop anthems that have captivated audiences for over four decades. Through his reinvention and artistic vision, Philip Oakey has secured his place in music history.
